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Barbara Rose: The art world was hip. We liked jazz, and we liked rock-and-roll, which was very tied to pop art. I remember going to the Peppermint Lounge with Jasper Johns to dance the Twist when Chubby Checker was there. Walter Bernard: We’d see all the foreign movies, obviously, especially French and Italian movies were a big deal. But you could go to off-Broadway and see “The Fantasticks,” “Waiting for Godot,” Albee. There were still coffee shops where people would read poetry or play music. Even Broadway, you could stand for not very much money. I think first thing I saw was “West Side Story.”.

‘And that was it’, Dustin Hoffman: I remember when I heard Bob Dylan the first time, I didn’t think he’d go anywhere, But I heard him when he hadn’t found his own voice yet, He was still doing Woody Guthrie, But I was a snob also, because how to sew ribbons on ballet shoes with elastics I preferred modern jazz, Duvall and I were kind of the same in [that] regard, Kenneth H, Brown: There was an actor in “The Brig,” Steven Ben Israel, and he was a comic in those cafes on MacDougal like the Gaslight when Dylan was singing there, so he was a friend of Dylan’s, So Dylan came to see “The Brig” in ’63 and Steve introduced me to him, and he said that “The Brig” was the first play he ever saw, He said, “Are all plays like that?” And we laughed and said, “No, Bobby, all plays are not like that.” I don’t know if he ever saw another one..

Sam Charters: Bobby was sucking up to everybody. I had published “The Country Blues” in 1959, so I was one of the hot names that Dylan hustled. [When] I started working for Prestige Records, Dylan would show up wanting to play piano. But when he started writing the songs, it was different. Dave and I would drink, we’d hit the Irish whiskey, and around 2 o’clock in the morning, he would start trashing Dylan. But I remember one night he said, “You know, I introduced Dylan at the Gaslight, and he sang “Hard Rain,” and I just went outside and stood in the street and said to myself, ‘None of us wrote that song. He was the one who wrote it.’ And that was it.

DETROIT  — The fair market values of some of the most popular pieces in the Detroit Institute of Arts — including Bruegel how to sew ribbons on ballet shoes with elastics the Elder’s “The Wedding Dance” and a Van Gogh self-portrait have been released, Christie’s auction house appraised about 2,800 paintings, sculptures, pottery and other city-owned artwork at the city’s request, The list of the items and how much each would fetch at sale were released Thursday by the city, “The Wedding Dance” is valued at $100 million to $200 million, while Van Gogh’s “Self Portrait with Straw Hat” was given a price tag of between $80 million and $150 million..

State-appointed emergency manager Kevyn Orr hired Christie’s to do the work. Orr has said city-owned art in the museum can be considered an asset and could be vulnerable during a bankruptcy. He filed for bankruptcy in July, and federal Judge Steven Rhodes approved the petition Dec. 3. The high values of some of Detroit’s pieces are not surprising, said Charles Guerin, director of the Hyde Collection in Glen Falls, New York. “The art market has become a place to invest large sums of money,” Guerin said. “Art is a commodity, especially when you get into those numbers. It’s amazing somebody would even have $150 million to spend. There are a lot of wealthy people in the world who can look at $150 million as if it’s chump change.”.

According to the appraisal by New York-based Christie’s, the city-owned pieces at the Detroit Institute of Arts are collectively worth between $454 million to $867 million, They represent about five percent of the museum’s estimated 66,000-work collection, Orr has said the city’s debt is at least $18 billion, That includes $5.7 billion in unfunded health care obligations and $3.5 billion in unfunded pension liabilities, He is expected to present a plan of adjustment for fiscal restructuring to the bankruptcy court how to sew ribbons on ballet shoes with elastics in early January that will include his recommendations for the art..

Guerin cautioned against selling any of the art, saying it would be “short-sighted.”. “Detroit is a great city. One of the things that make it a great city is that it has an absolutely great museum,” he said. Here are some of the highlights of the appraisal. — “The Wedding Dance,” Pieter Bruegel I, $100 million-$200 million. — “Self Portrait with Straw Hat,” Vincent Van Gogh, $80 million-$150 million. — “The Visitation,” Rembrandt Harmensz. Van Rijn, $50 million-$90 million.

— “Le guéridon,” Henri Matisse, $40 million-$80 million, — “Gladioli,” Claude Monet, $12 million-$20 million, — “The Palla Altarpiece: Tobias and Three Archangels,” Neri Di Bicci, $8 million-$15 million, — “Portrait how to sew ribbons on ballet shoes with elastics of Hendrik Swalmius,” Frans Hals, $6 million-$10 million, — “Madonna and Child,” Giovanni Bellini and Workshop, $4 million-$10 million, — “Saint Jerome in His Study,” Workshop of Jan Van Eyck, $4 million-$8 million..

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